Beschreibung
"My book Havana is just a superficial look, not a soul-searching investigation, a quick impression of a place that is unique in its geographical position, being much closer to the United States of America than the space station. Both are places ordinary Americans cannot visit. To be one of the poorest nations on Earth, almost within spitting distance of the richest makes the poverty of Cuba seem more extreme. Two countries with extreme ideologies; the small one proving that Communism does not work, the other proving that democratic paranoia does work if the power and the money are in place." David Bailey Havana shows Bailey at the height of his powers, producing photographs that reflect his mastery of the full range of the distinct genres of the medium. From vibrant street reportage to seering portraiture, this book offers a quintessential view of a city which is the touchstone for one of the most distinct cultural and political devides in a world fast moving toward homogeneity.
Autorenportrait
David Bailey, geboren 1938 in London, ist einer der erfolgreichsten britischen Fotografen seiner Generation. Schon in den 1960er Jahren haben seine Arbeiten ihn zur Kultfigur gemacht. Im Steidl Verlag erschienen unter anderem seine Bücher Havana (2006), NY JS DB 62 (2007), Is That So Kid (2008), Eye (2009), 8 Minutes (2009) und Flowers, Skulls, Contacts (2010).
